I got home and flopped onto the couch, regarding my newest folly with apprehension and growing regret. A flipping 21mm lens sat in its box in my lap. A lens some would place int...
14 February, 2020
TTArtisan 21mm f/1.5 ASPH review – by Vincent Bihler
We are currently living a very exciting period of time. The lens market has been rencently opened with third party producers that are becoming better and better, often at a very...
10 February, 2020
Minolta 28mm f/3.5 G-Rokkor Review – Another Gem I’m Parting With
I’ve owned this Minolta G-Rokkor 28mm f/3.5 for quite a while now - I had Bellamy find me one after I sold my Minolta TC-1 (also bought from Bellamy), the camera from which the ...
9 January, 2020
Nikon EM & Nikkor 35mm Review – A Quest for An Ideal Compact Film SLR – Pt2 – by Ed Lara
In a prior post I shared my thoughts on the Pentax MV-1 which I purchased at the same time I found a Nikon EM. I bought both in an attempt to replicate the great experience I ha...
14 November, 2019
Canon 28mm f/2.8 LTM – A Short Review – By Atanas Grozdev
I started to shoot on film in a cold winter of 2014. I used to shoot mainly with compact film cameras with color negative film, were I tried to test as many as possible of them....
24 September, 2019
TTArtisan 35mm f/1.4 ASPH review – by Vincent Bihler
TTArtisan is a new Chinese brand that are apparently planning on producing several high quality Leica M mount lenses, with the first one being this, the TTArtisan 35mm f/1.4 AS...
There’s a certain joy that comes from handling vintage lenses. Whether it’s the well-defined movement of the focus ring, or the generally rugged build, or even the well-defined ...
24 June, 2019
Leica 21mm f/3.4 Super-Angulon Review / Shooting an elderly symmetrical wide angle on a digital rangefinder
This Leica 21mm f/3.4 Super-Angulon is the second bit of kit I’ve borrowed from London Camera Exchange (my local camera shop in Worcester) recently. Gareth, the manager there, a...