The season of ennui arrives quietly, coasting in months after my 41st birthday. I am halfway there. The climb toward the apex of existence has been tumultuous. I can almost make...
If you’ve read any of my posts on 35mmc, you’d think I was a strictly a B&W film shooter. There are times, however, when I fall off the film wagon and shoot digital for two ...
The story behind this photo is, actually, the story of the others that I failed to take on this roll of Ferrania P30 film. Having remembered that I had a number of mid-format ro...
In 2025, with the inspiration of 35mmc, I began to explore the world of 110 gear and film. 110 as a format was developed by Kodak in the early 1970s and was immensely popular du...
The Leica D-Lux 8 has been reviewed to death, so this is not a review. It’s personal observations about how I came to buy this camera, how I didn’t bond with it at first, and ...
As the only photographer many of my friends know, they have sometimes offered me their families no longer wanted old camera, usually another worn brownie of various odd lineage ...
This is the second part of my images from Albania from August/September 2025 with my Minolta SRT-101 on Silbersalz35 (250D) film. The first part can be found here. Gjirokastra C...
This photo, taken in the centre of Padua, with my Nikon 35TI and a Ferrania P30, shows a composition’s dilemma. The idea was to explore the usual technique of ‘frami...