Broken Machines – A Photo Project

By RichardH

Most all vehicles and heavy machinery come to an end of useful service, recycled for parts and valuable metals.  It is an efficient reclamation process involving distant scrap metal yards and global logistics.  There are, however, some machines that skip the commerce of recycling.  Some are selected for museums where they can be cared for.  Others are just parked and left waiting for repair.  I find that last group visually interesting and worthy of a small photo project.  Living in a prosperous area, I easily found some subjects within a 10 km radius from my residence.  The project gave me opportunities to explore different neighborhoods and to brave a bit of innocent trespassing.

I will acknowledge here that these are photographs of junk.  This junk is not appreciated here in my suburb.  It is a stain on our respectability, to be removed from our neighborhoods just as weeds are pulled from the manicured garden lawns.  Relocating any of this junk to my own front yard would put an end to my current domestic tranquility.

Two cameras were used for this project:
– A 1948 Leica IIc with a Nikkor H 5cm f/2, a collapsible Elmar 5cm f/3.5, & an Elmar 9cm f/4
– A 1970 Rolleiflex SL35 with a Schneider Kreuznach 50mm f/1.8 Xenon & a Carl Zeiss 85mm f/2.8 Sonnar

Here we have a sporty coupe built and marketed for high-speed motoring in style.  Forty years ago, this was a motorcar requiring deep pockets for its initial purchase and subsequent maintenance.  It was a car for executives and moneyed motor enthusiasts.  This particular example has sat immobile in a suburban driveway for the past five years.  The tires are now flat.  Mold has taken residence on its exterior surfaces.  Does the owner have plans to restore it to its original glory?  Perhaps the owner has the necessary financial and mechanical resources?  Or, perhaps, the owner just gazes at it and dreams?

Ferrania Orto, Rolleiflex SL35 w/CZ 85mm Sonnar

Here is another dormant vehicle.  Our north coastal climate is damp and the mold is rather thick.  It appears to have been parked for a few decades.  While it is older than the glamorous coupe, it is a simple machine that has a chance to be returned to road-worthiness.  All it would require is a person with enthusiasm, mechanical skills, and perhaps the protection of a tetanus shot.

Ferrania Orto, Rolleiflex SL35 w/SK 50mm Xenon

What happens when the mold is left undisturbed in a shaded spot?  It becomes a fertile location for moss to grow.  I have always admired moss, especially in classical Japanese gardens.  Here the moss is accompanied by blackberry vines and English ivy.  A decade from now this team of living plants will have fully enclosed their host.

Ferrania Orto, Leica IIc w/Nikkor-H 5cm

This truck is parked in the front yard of a house facing a rural road.  It has a prominent spot where it can be admired by passing motorists.  It was a work vehicle built almost a century ago, and certainly used for a very long time.  It may have a sentimental value and I can understand why the owners cannot simply discard the thing.

Kodak TMX100, Leica IIc w/Nikkor-H 5cm

There are no prospects of rejuvenation with this device.  It is a large pumping machine that rumbled down the steep approach to a local stream, moving on tank tracks and put to work until it broke.  The top of its engine is gone.  Removed, perhaps, for repair?  This industrial machine is now a scaffold for blackberry vines while it sinks into the wetlands.

Ilford PanF+, Leica IIc w/Elmar 5cm

 

Standing proud of the strangling vines.

Kodak TMX100, Leica IIc w/Elmar 9cm

 

Down in the belly of the beast.

Kodak 5231 Plus-X, Leica IIc w/Elmar 9cm

 

The growing vines soften the rough edges of this decrepit machinery, making a pleasant arrangement.

Kodak TMX100, Leica IIc w/Elmar 5cm

 

The cameras and lenses used for this project all show heavy signs of use.  I classify my equipment as pre-CLA and post-CLA.  All images have been developed with Rodinal.  My Rodinal bottle has been used for four years and although the solution is stained dark brown, it gives me predictable results.

I do have a fondness for patina.

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About The Author

By RichardH
My photography obsession began several decades ago, purchasing a compact camera and two rolls of Agfachrome in a Panama duty-free zone. While hoping to snap some travel photos, I soon found that the camera was showing me a new way of seeing the world. I am still learning this craft, and enjoying every minute of it.
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Comments

Charles Young on Broken Machines – A Photo Project

Comment posted: 28/01/2026

Richardh: Thanks for sharing your passion. Your antique Leica is doing a great job. Plus you have a good eye for the old machinery! Here we have LOTS of old mining machinery to view. I am a retired professor of geophysics from Michigan Technological University, in Houghton MI. The area was a major copper mining district. The last mines here closed about 1970. The university has a major research group in industrial archaeology,.Lots of junk machinery to look at here!
Chuck
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RichardH replied:

Comment posted: 28/01/2026

Thank you, Chuck. You live in a state with a rich industrial heritage. I looked up Houghton, MI on a map and I can see you are up near Lake Superior: a stunning fresh water sea!

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Walter Reumkens on Broken Machines – A Photo Project

Comment posted: 28/01/2026

Great motifs, great black-and-white photos. I call this type of photography "everyday poetry". I'm a fan of it myself, but sometimes people shake their heads at me for it. It shows that you go through the world with your eyes open and stray from the mainstream of photography. Which isn't a bad thing, on the contrary!

Thanks for sharing, Richard!
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RichardH replied:

Comment posted: 28/01/2026

Thank you Walter. That is a compliment I will hold dear. Cameras have taught me to see, and I am often startled looking through the viewfinder. I am continually studying how light, lenses, film, and chemistry all interact.

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Michael Murray on Broken Machines – A Photo Project

Comment posted: 28/01/2026

Why? Why is ruin, degradation, decay, the breakdown, such a common theme of photography in particular? I think because it communicates a sense of time. The irony that a photograph, in way, freezes, time, while capturing tangible proof that time is unstoppable, is what I find compelling. It never fails, and it is an endless source of material because, from the moment of creation, everything is in the process of eroding.

A layer you've added here in most of your images in the natural element dirt. The presence of the dirt as a symbol of the natural world, to me, speaks to the temporary nature of mankind and even our most long-lasting creations. The poem Ozymandius by Shelley is a great perspective on this very theme.
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RichardH replied:

Comment posted: 28/01/2026

Thank for the Poetry recommendation, Michael! I have been fascinated with mechanical ruin all my life. Sun and oxygen break down the metals, and living organisms such as mold, moss, and vines take up residence.

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Paul Quellin on Broken Machines – A Photo Project

Comment posted: 29/01/2026

I thoroughly enjoyed these photographs and I feel drawn to the subject too. As well as being superb photos, they have the viewer wondering about the stories. I like that stage the oil goes through as it turns to something like a cross between grease and soil, as the photo of the timing chain shows. I photographed something like the pumping engine when I discovered the remains of a large Caterpillar earth mover in a line of trees that can;t have been there when it last moved. It looked similar to the engine in your photograph, a six cylinder side valve I think. There is something quite exciting about finds like this and I need to get out and have a good look around here, as there are similar habits with old cars and farm machinery. Thanks for the inspiration Richard.
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RichardH replied:

Comment posted: 29/01/2026

I am encouraged to read your comments, Paul. I may be an outlier in my subject choice, but I find hints of beauty in the textures of decay. I reside in a large suburban area, and I cannot always manage a drive to photogenic natural vistas, so I search for visual interest nearby. Also, it cheers me up to see nature reclaiming our manufactured goods.

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