Trying to capture traditional Albania on Silbersalz35 film – Part 1

By Matthias Steck

In August 2025, I visited Albania for the first time. It wasn’t a dedicated photography trip, but a family vacation. Still, I wanted to seize the opportunity to photograph this fascinating and rapidly changing country. Alongside my digital camera, I definitely wanted to shoot on film as well, hoping that the analog look would perfectly capture the character of some of the more traditional, untouched places.

After planning for a long time to bring my Mamiya 645, I lost my nerve just before leaving and, at the very last second, decided to take alongside my digital camera my black Minolta SRT-101 with the Minolta MD W-Rokkor 3.5/28mm, MC-Rokkor-PF 1.4/58mm, and Minolta MD Tele Rokkor 2.5/100mm, along with five rolls of Silbersalz35 film. 

Lin

Lin is a small village on Lake Ohrid, near the North Macedonian border. Up until three or four years ago, this was a traditional fishing village. Today, it is increasingly becoming a tourist destination. However, in August 2025, it was still a quite peaceful and authentic place, filled with friendly people—both locals and visitors alike.

Minolta SRT-101, Minolta MD W.Rokkor 3.5/28mm, Silbersalz35 250D

Lin is situated on a peninsula jutting into the lake and boasts a very special photo spot: a bunker from Albania’s communist era (there are more than 100,000 of them across the country!) located at the rocky tip of the peninsula. It offers a magnificent view over the lake and across to the North Macedonian shore. It’s my son on top of bunker. Inside the bunker now there are orthodox christian icons.

Minolta SRT-101, Minolta MD W.Rokkor 3.5/28mm, Silbersalz35 250D (Polarizer)
Minolta SRT-101, Minolta MD W.Rokkor 3.5/28mm, Silbersalz35 250D

Lin has only one street where locals offer their produce—when we were there, it was mostly onions and pickled vegetables (very hot chilies!), as well as delicious burek. In the evening, both locals and tourists gather there for a stroll.

Minolta SRT-101, Minolta MD W.Rokkor 3.5/28mm, Silbersalz35 250D

Albania has a rich birdlife. In late August, crowds of swallows were congregating on the chaotic power lines in front of the minaret of Lin’s small mosque.

Minolta SRT101, MD Tele Rokkor 2.5/100mm, Silbersalz35 250D

Bual near Përmet

Bual was perhaps the most unique place we visited in Albania. It is a nearly abandoned village of old stone houses, perched high above the Vjosa Valley.

Minolta SRT-101, Minolta MD W.Rokkor 3.5/28mm, Silbersalz35 250D
Minolta SRT-101, Minolta MD W.Rokkor 3.5/28mm, Silbersalz35 250D
Minolta SRT101, MD Tele Rokkor 2.5/100mm, Silbersalz35 250D

An old man’s workhorse (there are still many of them, also mules and donkeys in rural Albania) saddled for herding his two cows out to graze.

Minolta SRT101, MD Tele Rokkor 2.5/100mm, Silbersalz35 250D

Petulla, a typical Albanian breakfast, served in the wonderful traditional guesthouse in Bual. We met many friendly people throughout Albania, but nowhere did we feel the famous Albanian hospitality more deeply than there.

Minolta SRT101, MC-Rokkor-PF 1.4/58mm, Silbersalz35 250D

Shooting these places on Silbersalz35 film wasn’t a bad choice. Some of the images come quite close to the look I was hoping for. But for other images I still regret not bringing the Mamiya 645.

Albania is definitely a wonderful place to travel, explore and for shooting film. I hope the current well-deserved hype about Albania (that I’m also feeding…) will not spoil the country’s unique charakter.

I’m planning a second part with images from Gjirokastra and the Albanien Riviera.

 

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About The Author

By Matthias Steck
Matthias is an amateur photographer from Munich, Germany, always struggling to find some time for (mostly) nature and travel photography besides job and family. Shooting analog and digital, on film slowly switching to medium format, but still loving my Minolta gear.
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Comments

Ibraar Hussain on Trying to capture traditional Albania on Silbersalz35 film – Part 1

Comment posted: 13/02/2026

Really nice piece
Lovely compositions gentle delicate tones
Great
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Matthias Steck replied:

Comment posted: 13/02/2026

Thank you very much.

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Jeffery Luhn on Trying to capture traditional Albania on Silbersalz35 film – Part 1

Comment posted: 13/02/2026

Matthias,
Very nice images. Very peaceful. It looks like a good location for a dream sequence in a film. Are the locals okay with being photographed?
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Matthias Steck replied:

Comment posted: 13/02/2026

Thanks for your kind comment. A dream sequence like look is sometimes just what I'm trying to reach with my images. I'm not a street photographer, so I didn't shoot many locals. I'd strongly recommend to ask before shooting. In the Gjirokastra basar I did some street shooting, but in the crowd no one gave attention.

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Art Meripol on Trying to capture traditional Albania on Silbersalz35 film – Part 1

Comment posted: 13/02/2026

Really nice images. It's always a struggle to share the great unspoiled places and hope that sharing doesn't spoil them. Not sure what you were expecting from the film but it looks really nice to me. And I love an SRT-101. When I first got started in my career and needed a camera I had no money. A nice lady/benefactor loaned me hers with three lenses to get moving. I used it for a full year before getting my own gear. I have a lot of fondness for that equipment.
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Matthias Steck replied:

Comment posted: 13/02/2026

Thank you very much. I knew what to expect from this film stock. I was looking for a vintage look, a bit dreamy, but with beautiful colors. Just to capture what I call the old (mediterranean) south. There are many images where I didn't get that look, but that is because of my limitations as a photographer and not the film stock's. SRT-101 are great, I have a black one, which is extra beautiful. Nevertheless I'm a lot into medium format, which is just another dimension in color and detail.

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Gary Smith on Trying to capture traditional Albania on Silbersalz35 film – Part 1

Comment posted: 13/02/2026

What a great set of photos Matthias! I may need to seek out some of this Silbersalz35 film!
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Matthias Steck replied:

Comment posted: 13/02/2026

Thank you very much. The film stock is just Kodak Vision 3 with Remjet developed in ECN-2 and scanned in high res with a special color grading.

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David Pauley on Trying to capture traditional Albania on Silbersalz35 film – Part 1

Comment posted: 13/02/2026

Thank you Matthias for this very enjoyable piece. I'm impressed with the corner of Albania you visited and super impressed by the subtle vintage rendering of your film stock, as well as your compositions which bring out the best in it. Your photos make me feel nostalgic for this place, although I've never been there. Welcome to the 35mmc community.
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Matthias Steck replied:

Comment posted: 13/02/2026

Thank you very much. The less touristic places in Albania are still very fascinating and most locals are very kind to tourists. And vintage looking color film fits in my opinion very well with the country's character.

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Omar Tibi on Trying to capture traditional Albania on Silbersalz35 film – Part 1

Comment posted: 14/02/2026

Matthias, what a beautiful story you've told through these shots! You did an excellent job of capturing the mood of that country, I feel a sense of tranquil serenity, as if time itself has slowed down in Albania. Despite all you said about the Mamiya 645, I think you still did a great job with what you've had.

How was the trip, did you enjoy it? Happy shooting!
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Matthias Steck replied:

Comment posted: 14/02/2026

Thanks for your kind comment. The trip was great, in almost every aspect. My teenager kids loved the country, my little daughter of 5 years had a great time and my wife and me too. We always felt safe and welcome. Avoid the coast in July and August, if you can. At that time you just see the ugly face of mass tourism. But - like everywhere - away from tourist hot spots this country is very interesting and very hospitable.

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Gary on Trying to capture traditional Albania on Silbersalz35 film – Part 1

Comment posted: 14/02/2026

I agree with everyone's praise of the photos. I've never heard of Silbersalz. Vielleicht gibt es nur in Deutschland? How does it compare with Portra?
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Matthias Steck replied:

Comment posted: 14/02/2026

Thanks a lot. Silbersalz35 is a German based lab the sell, develop and scan Kodak Vision 3 film stock. You can buy there the film stock with the developing and scanning. I'm quite sure that they're delivering their film to other countries, at least in the EU. But you have to send the rolls back to them to Berlin for developing and scanning, and that can get pitiful and expensive from other countries. I didn't try the film stock alongside Portra, so I can't tell you much. The film stock has a great exposure latitude and with the color grading of the Silbersalz35 scans it has very warm tones (you can also get neutral scans). But as the film is optimized for movie post production, you have a lot of possible looks you can achieve in post.

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Erik Brammer on Trying to capture traditional Albania on Silbersalz35 film – Part 1

Comment posted: 14/02/2026

Hey Matthias,
That’s a beautiful set of photographs. I had tried Silbersalz a few years ago but never really clicked with it, despite my efforts in further editing the scans. With your series, it delivers an atmosphere that truly suits my imagination of what Albania would be like - having never been there myself. :-)

Thanks a lot for this article!

Erik
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Matthias Steck replied:

Comment posted: 14/02/2026

Thanks for your comment. I liked the look of the film stock from the very beginning plus the stock is very forgiving for inaccurate exposure. Some years ago I wasn't happy at all with scans though. This has changed during the last years, but there are still issues like overlapping frames (in the scan, not on the negative) or tilted or uneven frames. I really like their color grading though, but it works only well with correct exposed images and nice light conditions.

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sneakerzoom on Trying to capture traditional Albania on Silbersalz35 film – Part 1

Comment posted: 16/02/2026

Beautiful nostalgic-looking film...I really like the photograph of the horse. And what an amazing environment to shoot in!
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